I heard this piece for the first time at the Winspear Centre in Edmonton on Wednesday night, in a program of French composers who were completely unknown to me. This was the last piece on the program and I found it very enjoyable, especially the last movement which reminds me at times of Beethoven’s Pastoral Symphony.
The program notes from Wednesday night give the following info about Hérold:
Ferdinand Hérold (1791-1833)… From a long line of musicians, Hérold’s father had been a pupil of C.P.E. Bach, and Ferdinand had studied with Méhul. After winning the Prix de Rome in 1812, Hérold studied music in Italy, and his operatic compositional career really got started when Boieldieu asked the young composer to write part of a privately commissioned opera – beginning a steady stream of both operas and ballet scores by Hérold. He wrote only two symphonies, and Symphony No. 2 was written as part of his requirement for winning the Prix de Rome – laureates were expected to write such works to demonstrate their progress as composers. In fact, both symphonies were written during his time in Italy, the second in 1815. (notes by D.T. Baker)