Tommy Emmanuel plays ‘Close to You’

If I could play like Tommy, I would call myself a guitar player!

His website is here.

This song, of course, is by Bert Bacharach.

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Bruce Cockburn: ‘Water into Wine’

I believe this video was taken at an outdoor concert at the Forum in Ontario Place in the summer of 1979. I was at that concert, having been a Bruce Cockburn fan for a couple of years at the time. I had never in my life heard a guitar played like this by anyone else, and Bruce inspired me to do my best to become a much better fingerstyle player.

This tune is called ‘Water into Wine’ and can by found on Bruce’s 1976 album ‘In the Falling Dark‘. The guitar Bruce is playing was made by Jean Larrivée and was one of the first ever acoustic guitars to feature a cutaway to allow the guitarist more access to high notes. In the 1970s most acoustic guitar builders believed you could not make an instrument like that without sacrificing tonal quality, but Jean Larrivée proved them wrong.

The slippery slope

Last night I stumbled on a really interesting interview with Linda Manzer. Here it is:

For those of you who want the Coles Notes version, Linda was trained by Jean Larrivée between 1974 and 1978; she then went on to work with Jimmy D’Aquisto before setting up in business for herself. As she points out in the interview, female luthiers are a rarity (and interestingly, most of them are Canadian – one of a number of ways in which Canadian lutherie appears to be unusual – see this article for another), but she has made quite a name for herself over the years, building instruments for Carlos Santana, Pat Metheny, Stephen Fearing, Liona Boyd and Bruce Cockburn, to name just a few. She now builds about ten guitars a year, and they start at a whopping $30,000 each. This strange-looking one would cost about $100,000 if she felt moved to build another one.

I started playing guitar when I was about fourteen, and played cheap guitars for the next thirty years. I got married when I was twenty, became a minister in a Council of the North diocese on minimum stipend, and quickly started having children; we then moved to the Northwest Territories where life was even more expensive. I first heard a Larrivée guitar in 1977 (played by the great Bruce Cockburn), and always dreamed of buying one, but for most of my life they were way out of my league. I played $250-$350 models, cheap laminates; I did my best to play them well, but there’s a limit to how good you can sound on an instrument like that. Still, I don’t complain; we had other priorities, and I’m sure they were right.

When Jean Larrivée started out he was building guitars for individuals, just as Linda Manzer is now. But over the years he expanded and now, although his place can’t accurately be described as a factory with a production line, it’s part way in that direction. Larrivées now run from about $1600 to about $5000 (list price – you can get them cheaper in stores), and if you want a custom model you’ll pay more, of course. I got my OM-03E five years ago for about $1200 (they’re a lot more now, though you can get them cheaper here) and it suits me just fine, although of course I always dream of a better one (no matter how good a guitar you get, there’s always a better one!).

Still, I’m troubled by the slippery slope. I don’t challenge Linda Manzer’s right to charge top dollar for her instruments – she’s making some of the finest guitars in Canada today, and she’s a skilled craftsperson who puts hundreds of hours into each of her guitars. What troubles me is that its easy for me to sideline my conscience. I’d never think of buying a top line BMW or Audi (not that I could ever afford it); to me, that would be stealing money from the poor and needy, as John Wesley would have said. So why do I dream about this guitar sometimes?

Before I bought my Larrivée, my favourite instrument was a Seagull S-6 Folk; it had no electronics, laminate back and sides, and a solid cedar top, and it cost me all of about $350 (Seagulls are amazingly cheap for the quality of guitar you get. Oh yes, they’re Canadian-made, too). It sounds a bit clunky to me now, after five years of playing the Larrivée, but it sounded just fine when I bought it. Still, I can just about justify the Larrivée; it’s one of the cheapest guitars they make, it’s all solid wood (the gold standard for acoustic guitars), and it’s very affordable for many baby-boomers like me who’ve got no kids left at home and a mortgage paid off.

But $30,000? The only people who can afford to buy a $30,000 guitar are very rich people. Probably, very rich people who make music for a living and so need the best tool they can afford. I guess I’d draw the line there (or rather, Marci would, since we’d need to take out a second mortgage to be able to afford it!).

Bottom line? Jean Larrivée is making very fine instruments, but I think he’s still making guitars for ordinary people. Linda Manzer isn’t; she’s making guitars for the pros.

But then, who am I to point the finger? After all, this image has been doing the rounds on Facebook lately:

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It troubles me a little that people can be smug enough to point fingers at mega-churches when we’ve all made compromises. After all, are we all living in the cheapest possible house so that we can give the extra to the poor? Are we all driving the cheapest possible car? Do we always take the cheapest possible holidays? Do we all eat and drink at home rather than going out for meals or a $5 latte at Starbucks?

So is my $1200 Larrivée more important than feeding the poor? Wasn’t the Seagull doing just fine?

It’s a slippery slope…

Doc Watson is dead

Doc Watson is dead.

I’m not really a flatpicker, so I have the greatest of respect for good flatpickers. And Doc was not just a good flatpicker – he was the original flatpicker.

But good as his guitar playing was, Doc was more than a guitarist. He was a true folk musician, in the sense of one who handed on to the next generation the musical treasure that had been entrusted to him by his forebears.

The New York Times has an excellent article here.

Rest in peace, Doc, and thanks for handing on to us so many great songs.

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‘Thou shalt not covet…’

…but some days it’s hard!

Larrivée Guitars is releasing these limited edition vintage style OM-03SB sunburst guitars this coming July.

FEATURES INCLUDE:
Vintage style sunburst
Mahogany top
12 Frets to the neck
Tulip button tuners
Multi strip purfling and rosette
Large fingerboard dots
Archtop case

*MSRP $2600
**Contact your dealer for their pricing

‘Godliness with contentment is great gain’ (1 Timothy 6:6).

I’m sure it is, but no one said anything about it being easy!