The slippery slope

Last night I stumbled on a really interesting interview with Linda Manzer. Here it is:

For those of you who want the Coles Notes version, Linda was trained by Jean Larrivée between 1974 and 1978; she then went on to work with Jimmy D’Aquisto before setting up in business for herself. As she points out in the interview, female luthiers are a rarity (and interestingly, most of them are Canadian – one of a number of ways in which Canadian lutherie appears to be unusual – see this article for another), but she has made quite a name for herself over the years, building instruments for Carlos Santana, Pat Metheny, Stephen Fearing, Liona Boyd and Bruce Cockburn, to name just a few. She now builds about ten guitars a year, and they start at a whopping $30,000 each. This strange-looking one would cost about $100,000 if she felt moved to build another one.

I started playing guitar when I was about fourteen, and played cheap guitars for the next thirty years. I got married when I was twenty, became a minister in a Council of the North diocese on minimum stipend, and quickly started having children; we then moved to the Northwest Territories where life was even more expensive. I first heard a Larrivée guitar in 1977 (played by the great Bruce Cockburn), and always dreamed of buying one, but for most of my life they were way out of my league. I played $250-$350 models, cheap laminates; I did my best to play them well, but there’s a limit to how good you can sound on an instrument like that. Still, I don’t complain; we had other priorities, and I’m sure they were right.

When Jean Larrivée started out he was building guitars for individuals, just as Linda Manzer is now. But over the years he expanded and now, although his place can’t accurately be described as a factory with a production line, it’s part way in that direction. Larrivées now run from about $1600 to about $5000 (list price – you can get them cheaper in stores), and if you want a custom model you’ll pay more, of course. I got my OM-03E five years ago for about $1200 (they’re a lot more now, though you can get them cheaper here) and it suits me just fine, although of course I always dream of a better one (no matter how good a guitar you get, there’s always a better one!).

Still, I’m troubled by the slippery slope. I don’t challenge Linda Manzer’s right to charge top dollar for her instruments – she’s making some of the finest guitars in Canada today, and she’s a skilled craftsperson who puts hundreds of hours into each of her guitars. What troubles me is that its easy for me to sideline my conscience. I’d never think of buying a top line BMW or Audi (not that I could ever afford it); to me, that would be stealing money from the poor and needy, as John Wesley would have said. So why do I dream about this guitar sometimes?

Before I bought my Larrivée, my favourite instrument was a Seagull S-6 Folk; it had no electronics, laminate back and sides, and a solid cedar top, and it cost me all of about $350 (Seagulls are amazingly cheap for the quality of guitar you get. Oh yes, they’re Canadian-made, too). It sounds a bit clunky to me now, after five years of playing the Larrivée, but it sounded just fine when I bought it. Still, I can just about justify the Larrivée; it’s one of the cheapest guitars they make, it’s all solid wood (the gold standard for acoustic guitars), and it’s very affordable for many baby-boomers like me who’ve got no kids left at home and a mortgage paid off.

But $30,000? The only people who can afford to buy a $30,000 guitar are very rich people. Probably, very rich people who make music for a living and so need the best tool they can afford. I guess I’d draw the line there (or rather, Marci would, since we’d need to take out a second mortgage to be able to afford it!).

Bottom line? Jean Larrivée is making very fine instruments, but I think he’s still making guitars for ordinary people. Linda Manzer isn’t; she’s making guitars for the pros.

But then, who am I to point the finger? After all, this image has been doing the rounds on Facebook lately:

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It troubles me a little that people can be smug enough to point fingers at mega-churches when we’ve all made compromises. After all, are we all living in the cheapest possible house so that we can give the extra to the poor? Are we all driving the cheapest possible car? Do we always take the cheapest possible holidays? Do we all eat and drink at home rather than going out for meals or a $5 latte at Starbucks?

So is my $1200 Larrivée more important than feeding the poor? Wasn’t the Seagull doing just fine?

It’s a slippery slope…

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‘Thou shalt not covet…’

…but some days it’s hard!

Larrivée Guitars is releasing these limited edition vintage style OM-03SB sunburst guitars this coming July.

FEATURES INCLUDE:
Vintage style sunburst
Mahogany top
12 Frets to the neck
Tulip button tuners
Multi strip purfling and rosette
Large fingerboard dots
Archtop case

*MSRP $2600
**Contact your dealer for their pricing

‘Godliness with contentment is great gain’ (1 Timothy 6:6).

I’m sure it is, but no one said anything about it being easy!

Larrivée guitars are out of this world!

Regular readers of my blog may know that my guitar is a Larrivée OM-03E. I’ve admired Larrivée guitars for thirty-five years, so it was a joy to finally purchase one about four years ago, and I’m still loving it.

So I was especially delighted by this story that appeared on the Larrivée Guitars Facebook page yesterday and today:

If you may not already know, there is a Larrivée P-03 Parlor onboard the International Space Station. This morning astronaut Chris Hadfield tweeted in reponse to the question “Are you taking another SoloEtte back up to the ISS?”. Chris’ response was “no, there’s a Larrivee up there already”.

We asked Chris how the Larrivée was doing up there. He tweeted back to us… “it’s doing great! We sent up a tuner and in-hole pickup, and Dan’s been playing. I look forward to recording in orbit!”

Ask yourself… HOW COOL IS THAT!!

Here’s Chris playing the Larrivée:

And here’s Dan playing it:

That parlour guitar looks really cool, and I know from experience what a surprisingly good sound you can get from such a small body, if the build and the woods are right.

By the way, here’s me playing my OM-03E, with my grandson playing along on his ukelele. HOW COOL IS THAT?