A few years ago at the Edmonton Folk Music Festival, I heard David Francey say that there are lots of songs about falling in love, and there are lots of songs about falling out of love, but there aren’t many songs about just being in love – the joys and the heartaches, the ups and the downs of it. I think he’s right; I can’t think of many love songs that celebrate long-term marriages (Stan Rogers’ ‘Lies‘ is one that comes to mind, and it’s one of my favourites). And I think this is a shame.
Musicians aren’t the only ones who neglect this theme. TV writers also seem to believe that stable long-term relationships make for boring TV. At the end of Downton Abbey season three, when Matthew Crawley was killed off due to actor Dan Stevens wanting to leave the show, I read that creator Julian Fellowes had expressed an opinion that a happy marriage didn’t make for particularly exciting television. It seemed that, having brought Matthew and Mary through a long and tortuous route to finally getting married, he was happy to kill Matthew off so that once again Mary could be ‘on the market’, making for enjoyable tension and uncertainty on the show.
Sunday was the season seven finale of ‘Heartland‘, and we have the same scenario, with long-time couple Ty and Amy (whose relationship has been the central story line of Heartland from the end of the first season, and who have been engaged for a season and a half) once again running into speed bumps, and not getting married as perhaps the majority of fans would have liked to have seen. I’ve even heard the view expressed that Ty and Amy’s marriage would have meant the end of Heartland, because ‘where would the show go after that’? What? Would Ty and Amy really stop growing and learning after their wedding day?
I honestly can’t understand why TV writers take this view. Do they really think there are no enjoyable story lines to be found in the joys and vicissitudes of a lasting marriage? Well, if that’s really how they feel, I have five words for them: For Better and for Worse. This much loved comic strip by Lynn Johnston ran for 29 years and took its readers through the story of the lives of John and Ellie Patterson and their kids. In the earliest story lines, John and Ellie were a young married couple; later they had their children, and we followed the ups and downs of their lives together, told with humour and honesty in a way that kept people coming back for more. And I haven’t heard that the strip’s popularity suffered at all for it being about a stable long-term marriage!
Seriously, do writers and musicians and TV producers really believe that there are no interesting story lines in long-term relationships? Do they really believe that there’s no drama in showing couples and families facing the challenges that make long-term relationships so difficult, and coming through them successfully (or, sometimes, less successfully)? Where does this come from? Is it, perhaps, the notorious instability of show-business relationships?
Years ago, author Larry Christensen said that marriage is like pioneering, in that true pioneers experience two things: hope and difficulty. Marriage as pioneering? Now there’s an interesting thought! Perhaps it’s time for writers and musicians and TV producers to take on a new challenge; how about exploring the possibilities of portraying long-term love – what David Francey referred to as ‘just being in love’ – with all its hope and difficulty? How about it, creative artists? Are you up for it?